Arang
Show Info
👨🎤 Role: Yeogyeong, The King of Baekje
⏳ Period: 2026.01.27 – 2026.05.10
📖 Original Novel by: Choi In-ho (최인호)
🎭 Book by: Ahn Jae-seung (안재승)
🎭 Composed by: Oh Sang-jun (오상준)
🖋️ Lyrics by: Yang Jae-seon (양재선)
🎼 Arrangement & Orchestration by: Jin-Hwan Kim (김진환)
🎬 Director: Yoon Ho-jin (윤호진)
🎟️ Producer: Yoon Hong-sun (윤홍선)
🎼 Music Director: Moonjeong Kim (김문정)
💃 Choreographer: Seo Byunggoo (서병구)
🏢 Production Company: ACOM
📌 Type: Korean Original Musical
💬 Language: Korean
Productions

Haeoreum Grand Theater, Seoul
2026-01-27 to 2026-02-22
18
Performances

Charlotte Theater, Seoul
2026-04-10 to 2026-05-10
tba
Performances
Video Gallery
[2026 뮤지컬 몽유도원] 내 것이다ㅣ넘버뮤직비디오
Arang (몽유도원) | Curtain Call | Feb 3, 2026 | Haeoreum Grand Theater, National Theater of Korea
[2026 뮤지컬 몽유도원] 내 것이다ㅣ음원영상
[풀영상] 뮤지컬 '몽유도원' 2026 제작발표회 넘버시연(프레스콜)|민우혁·김주택·하윤주·유리아·이충주·김성식·정은혜
[2026 뮤지컬 몽유도원] 연습실 스케치 영상
[2026 뮤지컬 몽유도원] SPOT 영상
2026 뮤지컬 몽유도원 모션 포스터 ㅣ여경 #김주택
[풀영상] 뮤지컬 '몽유도원' 2026 제작발표회|민우혁·김주택·하윤주·유리아·이충주·김성식·정은혜
'내것이다' 뮤지컬 몽유도원, 배우 김주택
[2026 뮤지컬 몽유도원] 시츠프로브 녹화중계
Photo Gallery
Used with permission. All rights belong to the original creators/licensors.

Review
Preview — Arang (몽유도원, 夢遊桃源) · 2026 Production
Arang (몽유도원, 夢遊桃源) is a Korean original musical inspired by Choi In-ho’s novella 몽유도원도 (夢遊桃源圖), a work that evokes the act of wandering into an imagined realm shaped by longing rather than depicting a literal paradise. Drawing on the folktale of Domi and Arang recorded in Samguk sagi, the musical explores the fragile boundary between illusion and reality, and the conflicts that arise from love, desire, and humanity’s pursuit of what cannot be fully possessed.
Rather than presenting the narrative as a conventional historical romance, the production emphasizes its mythic and psychological dimensions. It unfolds within a suspended space between waking life and inner vision, revealing how longing can both elevate and erode the human spirit. Through restrained staging and symbolic gesture, the work approaches the story as a meditation on desire itself—beautiful, painful, and ultimately irreversible.
At the center of the story stands Yeogyeong, the king of Baekje. Yeogyeong is portrayed by Julian Jootaek Kim as one of the dual cast. Inspired by the historical figure of King Gaero, the character is a ruler defined not by conquest but by yearning. He has survived through discipline and restraint in order to preserve his authority, yet remains deeply unsettled by the emotional rupture caused by a woman who first appears not as reality, but as an inner vision.
Rather than subjecting Yeogyeong to simple moral judgment, the production presents him as a layered and inward figure—shaped by obsession, illusion, and the belief that destiny can be claimed through will alone. His trajectory is not driven by power, but by desire, and by the quiet unraveling that follows when longing exceeds restraint. In this production, Yeogyeong emerges less as a transgressive monarch than as a tragic human figure whose inner conflict permeates the stage.




